Chvrches continue to evolve on SOLD OUT 'Screen Violence' Tour

December 6, 2021

Chvrches' first United States tour in support of their recent release 'Screen Violence' has packed venues nationwide including the iconic Franklin Music Hall in Philadelphia, PA.

Over the past decade Chvrches has taken the alternative scene by forth with their unique artistic blending of synths and complex lyrical structures. From their early albums through their most recent 'Screen Violence' the band has grown artistically and philosophically with each release and has given their fanbase more to grapple with each release. The debut single of the new album "He Said She Said" is one of the band's strongest singles to date and grapples with a lot of critical issues that singer Lauren Mayberry is also very passionate about. The merging of political statements(yet, critically important) with music can be a tricky blend to achieve but Chvrches found the balance with 'Screen Violence' and the artwork created on the album translated perfectly into the sold out performance at the Franklin Music Hall.

Chvrches took the stage just before 10PM to the roar of a sold out crowd who had eagerly been awaiting their Philadelphia return for sometime. The added "break" from touring during the pandemic has added an increased level of passion at shows in the market lately and the front row could hardly continue their excited as the band's LED flickered to life during the intro. Shortly there after the band walked out and Mayberry sprinted to her microphone stand at the center of the stage as Chvrches kicked off the night with a bold, and stunning "He Said She Said" that was met with screams of support.


The band's setlist took their fans through a musical journey as it was a well blended mix of songs from all eras of Chvrches - though the majority were off their new release 'Screen Violence.' Early in the set Mayberry was quick to thank the massive crowd for adhering to the venue's mask policy while she took a few minutes to also thank the crowd for joining them. The floor of the Franklin Music Hall was a sea of people and they burst to life with increased intensity as the band progressed deeper into their setlist. While the excitement was high for "Forever" early in the band's set it was during "Mircale" that the sold out crowd took their dancing and hype to 200% nearly everyone had their arms in the air for the chorus. "Good Girl" on the first half of the set also received a warm welcome from the Philadelphia crowd which came as no surprise as one of the strongest tracks off 'Screen Violence' and one of the better pop/alternative songs of the last few years.

Chvrches' sold out show demonstrated why they continue to sell out performance with each album - their artistry (both musically and visually) is on a level of which most band's on aspire to achieve. Throughout their 17 song setlist the band spotlighted that though they have matured over the past decade their music has always been truthful, raw and poignant. While 'Screen Violence' may be more routed into the state of our current society the band has always struck hearts and nerves with their music. Their fans don't come to a concert just dance and sing, Chvrches fans attend their concerts to be a part of something bigger than them and watch an artist that inspires them across so many plains.


In an alternative scene that has become increasingly flooded with carefully constructed thoughts Chvrches offers a needed perspective with their music and concerts. Mayberry and company have captured something really special over the past decade and there is little doubt they'll continue to create art that speaks to them and others for many more years to come.

Article Written By:

Matt Christine

The All-American Rejects kick off a new era at Parx Casino in Bensalem

By Matt Christine • April 1, 2025
On March 29, The All-American Rejects brought a whirlwind of nostalgia, energy, and surprise to the Xcite Center at Parx Casino in Bensalem, Pennsylvania. With the crowd already buzzing, the band made their entrance to the iconic "Gonna Fly Now" from Rocky, setting the tone for a night that would blend theatrical flair with heartfelt musicianship. Tyson Ritter and crew wasted no time launching into “Dirty Little Secret,” immediately turning the venue into a singalong haven for fans of all ages. The evening’s setlist was a well-balanced mix of crowd favorites and deep cuts, keeping both longtime fans and newer listeners on their toes. From upbeat anthems like “Fallin’ Apart” and “Beekeeper’s Daughter” to early classics like “My Paper Heart,” the band showcased their full range. But one of the night’s most emotional moments came from an unexpected fan request: an acoustic, acapella performance of “Heartbeat Slowing Down.” Tyson delivered the first verse and chorus with just his voice and a dim spotlight—his first time performing the song live since 2013. The crowd, stunned into silence, erupted with cheers at the final note. Throughout the show, Tyson Ritter kept the mood light with his signature irreverent humor. He poked fun at the convention center-style room, joking, about what other events were hosted in the room including a furry convention before launching into a riff about Parx Casino’s not-so-subtle encouragement to gamble. “They want you to leave this show... and immediately hit the slots. Don’t let them down!” he quipped, drawing laughs from every corner of the venue. That excitement rolled perfectly into a performance of their brand-new single “Sandbox,” which blended the band’s classic melodic hooks with a fresh, heavier indie-pop edge that had fans filming the moment for social media. One particularly fun surprise came when Tyson improvised a short, comedic song inspired by fans in the front row called “Chrysanthemum.” The details of this moment will be left behind lock and key for anyone not at the concert but just know it was one of the most obscene moments of the set and was a perfect way for the band to launch into "Sweat" after the moment wrapped up. The band also took time to acknowledge their recent appearance at Jonas Con, where they teased their upcoming role as special guests on the Jonas Brothers’ 20th Anniversary Summer Tour. The crowd cheered at the announcement, and Tyson grinned, saying, “We’ve officially joined the Jonas extended universe.” As the show neared its finale, The All-American Rejects rolled out a trifecta of hits—“Swing, Swing,” “It Ends Tonight,” and “Move Along”—each met with raucous applause and heartfelt singalongs. The encore, naturally, closed with “Gives You Hell,” sending the audience out into the casino with their voices hoarse and spirits high. Fans could be heard raving as they exited, calling it “everything I could have hoped for” and praising both the band and the intimate, high-energy setting. In the end, The All-American Rejects proved that they’re far from just a nostalgia act. With clever banter, emotional surprises, a killer setlist, and a brand-new single to boot, their performance at Parx Casino was a reminder that great bands don’t just survive the decades—they evolve, engage, and keep giving fans reasons to fall in love all over again.

Bishop Briggs hits Union Transfer for the "Tell Me Therapist I'm Fine" Tour

By Matt Christine • March 30, 2025
Bishop Briggs brought an electrifying storm to Philadelphia’s Union Transfer on the second-to-last stop of her “Tell My Therapist I’m Fine” tour—and if the title wasn’t already dripping in irony, her explosive set made it perfectly clear. Kicking off with “My Serotonin,” she transformed the venue into a cathartic dance party-meets-emotional bootcamp. It felt less like a concert and more like cracking open someone’s diary set to a thunderous bassline. From the jump, Briggs’ stage presence was nothing short of kinetic. She didn’t just command the stage—she treated it like an Olympic track, sprinting, leaping, and tearing across every corner without missing a note. During “Dark Side,” her energy swelled with the song’s intensity, delivering a performance that was equal parts spiritual purge and high-voltage rock ritual. “Woman Is King” arrived like a crown drop. Her voice soared, the crowd erupted, and in that moment, the track became less of a song and more of a statement—powerful, fearless, and unapologetically loud. It was the kind of performance that made you want to run through a wall or at least buy a leather jacket. The new single generated one of the best reactions from the crowd all night long and Briggs flashed more than one of her signature smiles from on stage during the emotional performance of the new track. Briggs didn’t just play a show—she led an emotional endurance test across 20 songs, and Philadelphia was more than willing to sweat it out with her from start to finish in this historic venue. If this was her version of therapy, then the rest of us were gladly booked in as co-patients.

Spencer Sutherland brings the "DRAMA" to Philadelphia at the Foundry

By Matt Christine • March 24, 2025
Spencer Sutherland lit up The Foundry in Philadelphia on March 20 with a headlining set that blended pop, soul, and showmanship in all the right ways. From the moment he hit the stage, his charisma was undeniable—commanding the crowd with powerful vocals and effortless swagger. Fans sang every word back to him, creating a room-wide chorus that felt more like a celebration than a concert. With emotional ballads, high-energy bangers, and a few unexpected twists, Sutherland proved he's not just riding momentum—he’s building a movement.