Judah and the Lion braved the cold for an electrifying outdoor set at Alt 104.5’s Winter Jawn, turning a frigid January day into a full-blown celebration. Despite the chill, the crowd warmed up fast as the band tore through a mix of fan favorites and fresh tracks from their latest release. With their signature energy and heartfelt lyrics, they proved that even winter couldn’t freeze out a good time.

Low Cut Connie tore up West Art in Lancaster on New Year’s Eve, proving once again that piano-driven rock ‘n’ roll was the perfect way to kiss 2024 goodbye. The night was packed with sweat, swagger, and a party so wild that resolutions didn’t stand a chance past midnight.

Harrisburg became a musical confessional as Say Anything rolled into town on their current tour celebrating the 20th Anniversary of their iconic album, ' Is a Real Boy .' From the moment Max Bemis sauntered onto the stage—equal parts ringleader and raconteur—the Harrisburg Midtown Art Center was brimming with a raw, unfiltered energy that threatened to crack the building’s foundations. This wasn’t just a concert; it was a communal exorcism wrapped in clever, sardonic lyrics and the bombast of a band that knows how to leave it all on the stage. The show opened not with a bang but with a tease. Dim lights swirled over the crowd as the haunting opening chords of “Belt” crept into the room. Bemis strutted onto the stage like a grungy Shakespearean antihero, clutching his mic stand as if it were a scepter. His voice—still jagged and impassioned—tore through the iconic first line: "And, the show begins with a song of rebelion." Max Bemis commanded the stage with an energy that felt almost paradoxical—half self-aware rock star, half self-deprecating poet. Between songs, he riffed on the absurdity of revisiting Is a Real Boy in 2024, joking about its youthful angst but simultaneously embracing it like an old friend. His voice, raw and imperfect, added an authenticity that perfectly suited the evening’s themes of insecurity, longing, and rebellion. Highlights included a searing rendition of "Alive with the Glory of Love," which had couples clinging to each other and strangers bonding over the sheer force of nostalgia. The performance was equal parts theatrical and heartfelt—a reminder that Say Anything’s music lives in the messy spaces between irony and earnestness. Despite his scattershot banter, Bemis’ vulnerability anchored the evening. Songs like “The Futile” and “I Want to Know Your Plans” felt like pages torn from a diary, raw and confessional. Bemis has always walked the line between poet and provocateur, and here he danced on that edge, charming the audience with his uncanny ability to make dysfunction feel universal. Say Anything shows have always been as much about the crowd as the band. Last night’s audience was no exception, embodying the album’s themes of existential frustration and defiant joy. From the front-row diehards to the casual fans in the back, the energy was infectious. One highlight came during “Woe,” where Bemis handed the mic to a fan who belted the bridge with so much conviction you’d think they wrote it. The show closed with "Admit It!!!," arguably the most blistering takedown of hipster culture ever written. Bemis delivered the song’s venomous tirade with a grin, and the crowd ate up every word. As the band exited the stage, Bemis lingered for a moment, looking out at the audience as if soaking in the last bits of shared energy. No frills—just a perfect, abrupt ending to a night that didn’t need embellishment. Say Anything’s performance of Is a Real Boy in Harrisburg was a reminder of why this album remains a touchstone for so many. It’s not just the music, though that alone is impressive—it’s the way Bemis and company capture the messiness of being human. For a few hours, we weren’t just an audience; we were co-conspirators in an emotional heist. So if this tour is coming to your city, don’t miss it. You’ll leave hoarse, sweaty, and maybe a little more in touch with the awkward, angry teenager you used to be—or still are. And really, isn’t that what rock and roll is all about?

Misterwives returned to Philadelphia to kick off November as their current tour (and allegedly final for sometime) wraps the band through out the country. The ‘Just For One Night! Tour’ was announced in 2023 and with it came the news that while it wasn’t going to be goodbye forever - it was going to be goodbye for now as Mandy Lee and company reflected on spending the last 10 years of their lives on the road touring. This final tour was set to feature a fan voted setlist and tour the band through as many markets as possible, including Union Transfer in Philadelphia. Hitting the stage just a few minutes past, Misterwives were greeted by an emotional and excited crowd erupted with cheers, welcoming the band back with open arms of Philadelphia for one more night. They dove into a career defining set, kicking off the night with “Organized Chaos,” off the recent re-release of ‘Nosebleeds.’ The band made the most of their time in Philadelphia as they ran through a 25-song setlist that mixed old favorites with fresh tracks from their latest release, building momentum through the night with singalongs to hits like "Our Own House" and a stunning cover of “Dancing On My Own.” Despite admitting early on that she was fighting a cold, Mandy Lee remained lively on stage as she danced her way across the intimate stage all night long. Vocally she shined brightest on the first half of the set and despite having to get some help from the crowd towards the end still delivered an incredibly powerful vocal performance for someone as sick as she was. The band would go on to cancel their Baltimore show a few days later following Philadelphia as Lee was unable to recover after giving everything she had to the Philadelphia crowd that night. While it may not be the largest venue they’ve played, Union Transfer proved to be the perfect setting for Misterwives' triumphant return to Philadelphia and their poetic farewell. It might be too late for your city at this point but missing this tour would be a massive mistake. For the past decade Misterwives have given their all not to the music industry but to their fans. The crowd at Union Transfer was full of faces that had come together more as a family to party again one more time than anything. Hopefully, goodbye isn’t forever and we can all dance again in Philadelphia soon - until then it really was ‘Just For One Night!’

Highly Suspect tore up XL Live in Harrisburg with their signature mix of gritty blues-rock and alt-metal, reminding everyone why they're at the forefront of modern rock. Frontman Johnny Stevens delivered his usual raw, emotional vocals, while the trio's heavy riffs and dark, introspective lyrics had the crowd in a hypnotic frenzy. With new hits like "Lydia" and "Plastic Boxes" shaking the intimate venue, the band's rebellious energy left no doubt that they're one of rock's most unapologetic forces.

Ronnie Radke and Falling in Reverse have dominated the rock and metal scene for the past decade and their summer tour with Dance Gavin Dance, Black Veil Brides, Tech N9ne and Jeris Johnson will go down as their biggest career milestone to date.

It may. be 2024 but Avril Lavigne is taking fans all the way back to 2004 with her "Greatest Hits Tour" this summer as she tours across North America with all the hits and countless sold out shows including her recent stop in Camden, NJ.

Over the past two decades Steel Panther have made a name for themselves in the rock n' roll world as the band that is not just a band; they're a unique blend of musical talent and sharp-witted comedy at the expense of an entire generation of rock music.

The Struts made a triumphant return to Pennsylvania on their tour with Barns Courtney that saw the band headline a proper SOLD OUT show at the Fillmore in Philadelphia.

Since 2021 Shinedown has been a m ainstay on the touring circuit and along the way has continued to make history with numerous singles from their 'Planet Zero' LP catapulting the band to historic new career highs.

Jelly Roll's first ever concert in Canada at the Meridian Centre marked a significant milestone in his career as booking international shows has proved almost impossible for the artist due to his prior convictions. His successful debut in Canada is a testament to the evolving landscape of music and politics has Jelly Roll continues to redefine his legacy within the industry.