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The Struts come 'Across The Pond' for 'SOLD OUT' Show at XL LIVE

May 31, 2022

The Struts returned to Pennsylvania on Memorial Day weekend for the 'Across the Pond' tour and became the latest band to sell out at XL Live as part of the concert series produced by Harrisburg University Presents.

The Struts are no strangers to Pennsylvania as the British rock band have played the state since their early days from festival appearances at Made in America, radio sponsored shows with ALT 104.5 in Philadelphia, a free concert in Downtown Reading and of course multiple performances at XL Live in Harrisburg. Through out their growing career The Struts have been compared to many bands but the most important adjective that can be used to describe the band is revolutionary. While the United Kingdom may not have been in tune with the band during their emerging years the United States has never had a greater need for raw rock n’ roll music like the band offers; not to mention the fact that every single song is infectiously fun and catchy.


The band's latest tour was a short run of dates through the month of May that brought them back to a handful of very special venues and the majority of the shows were sold out as their fans were eager to see the band in such intimate venues. The Struts' XL Live return was once again sold out and the band became the first "three-peat" artist to hit the stage as part of the Harrisburg University Presents concert series in the venue.


While in reality it was the final weekend of May, it felt like a true summer evening as XL Live was packed to capacity and the large garage doors were opened to their sprawling outside bar to allow some cool air to fill the sold out venue. The Struts hit the stage just past 9PM and in true "Struts" fashion arrived with a bit of glam, fashion and on this night a memorable surprise for all fans in attendance. The stage was set with a plentiful amount of color LEDS that washed over the 'Union Jack' that had burst to life on the XL Live video wall behind the stage. All at once the band ran onto the stage to the roar of the crowd as they stage illuminated into a rainbow of color as they kicked the party off with a powerful rendition of "Primadonna Like Me." Luke Spiller worked the crowd in master fashion, behind him on the drums Gethin Davies was perched behind his giant Welsh flag in traditional fashion and to Spiller's left Jed Elliot was laying down the bass as effortfully as always - but to his right fans were treated to a special guest appearance from Philadelphia legend and guitarist Nick Perri on lead guitar who was filling in for Adam Slack on the last few dates of the tour. As The Struts moved quickly into "Body Talks" it became clear that fans were in for a unique and incredible show as Perri had not only done his homework on the material but brought his own signature sound to the stage as well.

The Struts' 15 song set at XL Live took fans across their entire discography and was filled with the mainstays fans have come to expect from their shows (and then some as the band included some deeper cuts). As the set progressed later into the night the sold out crowd didn't falter as the already warm venue began to swelter with the heat of the night. The Struts kept the crowd dancing as they powered through for a set of incredible moments including some shining highlight performances of "Dirty Sexy Money," "Wild Child" and "I Do It So Well."


Luke Spiller has always been an impressive front man for The Struts but the 'Across the Pond' tour has seen him rise to new heights as he took his masterful art of crowd interaction to new levels. Spiller's renewed energy combined his flawless vocal delivery in Harrisburg propelled the performance to a top tier list amongst the band's many appearances in Pennsylvania across the years.


The evening came to a crashing end as the band ended things on a high note as "Could Have Been Me" had the entire crowd in a fever - before leaving the stage Luke Spiller shouted to the crowd in tradition to "Remember the Name, The Struts" and the crowd filed out of the venue into the night.

Harrisburg University Presents and XL Live continue to remain at the forefront of the alternative scene in Pennsylvania. The collaboration of these two powerhouses has transformed the market and made Harrisburg a "must play" market - as well as a "must return" for many acts including The Struts. The summer concert series was officially kicked off with this show and The Struts set the bar incredible high for the months to come for fans.


Don't miss the next big show, be sure to follow XL Live and Harrisburg University Presents on Facebook for all announcements and visit their websites for tickets to all upcoming events.

Article Written By:

Matt Christine

Judah and the Lion return to Philadelphia for outdoor show at Alt 104.5's Winter Jawn

By Matt Christine • January 30, 2025
Judah and the Lion braved the cold for an electrifying outdoor set at Alt 104.5’s Winter Jawn, turning a frigid January day into a full-blown celebration. Despite the chill, the crowd warmed up fast as the band tore through a mix of fan favorites and fresh tracks from their latest release. With their signature energy and heartfelt lyrics, they proved that even winter couldn’t freeze out a good time.

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Low Cut Connie tore up West Art in Lancaster on New Year’s Eve, proving once again that piano-driven rock ‘n’ roll was the perfect way to kiss 2024 goodbye. The night was packed with sweat, swagger, and a party so wild that resolutions didn’t stand a chance past midnight.

Say Anything brings the 20th Anniversary of "Is A Real Boy" to Harrisburg

By Matt Christine • November 16, 2024
Harrisburg became a musical confessional as Say Anything rolled into town on their current tour celebrating the 20th Anniversary of their iconic album, ' Is a Real Boy .' From the moment Max Bemis sauntered onto the stage—equal parts ringleader and raconteur—the Harrisburg Midtown Art Center was brimming with a raw, unfiltered energy that threatened to crack the building’s foundations. This wasn’t just a concert; it was a communal exorcism wrapped in clever, sardonic lyrics and the bombast of a band that knows how to leave it all on the stage. The show opened not with a bang but with a tease. Dim lights swirled over the crowd as the haunting opening chords of “Belt” crept into the room. Bemis strutted onto the stage like a grungy Shakespearean antihero, clutching his mic stand as if it were a scepter. His voice—still jagged and impassioned—tore through the iconic first line: "And, the show begins with a song of rebelion." Max Bemis commanded the stage with an energy that felt almost paradoxical—half self-aware rock star, half self-deprecating poet. Between songs, he riffed on the absurdity of revisiting Is a Real Boy in 2024, joking about its youthful angst but simultaneously embracing it like an old friend. His voice, raw and imperfect, added an authenticity that perfectly suited the evening’s themes of insecurity, longing, and rebellion. Highlights included a searing rendition of "Alive with the Glory of Love," which had couples clinging to each other and strangers bonding over the sheer force of nostalgia. The performance was equal parts theatrical and heartfelt—a reminder that Say Anything’s music lives in the messy spaces between irony and earnestness. Despite his scattershot banter, Bemis’ vulnerability anchored the evening. Songs like “The Futile” and “I Want to Know Your Plans” felt like pages torn from a diary, raw and confessional. Bemis has always walked the line between poet and provocateur, and here he danced on that edge, charming the audience with his uncanny ability to make dysfunction feel universal. Say Anything shows have always been as much about the crowd as the band. Last night’s audience was no exception, embodying the album’s themes of existential frustration and defiant joy. From the front-row diehards to the casual fans in the back, the energy was infectious. One highlight came during “Woe,” where Bemis handed the mic to a fan who belted the bridge with so much conviction you’d think they wrote it. The show closed with "Admit It!!!," arguably the most blistering takedown of hipster culture ever written. Bemis delivered the song’s venomous tirade with a grin, and the crowd ate up every word. As the band exited the stage, Bemis lingered for a moment, looking out at the audience as if soaking in the last bits of shared energy. No frills—just a perfect, abrupt ending to a night that didn’t need embellishment. Say Anything’s performance of Is a Real Boy in Harrisburg was a reminder of why this album remains a touchstone for so many. It’s not just the music, though that alone is impressive—it’s the way Bemis and company capture the messiness of being human. For a few hours, we weren’t just an audience; we were co-conspirators in an emotional heist. So if this tour is coming to your city, don’t miss it. You’ll leave hoarse, sweaty, and maybe a little more in touch with the awkward, angry teenager you used to be—or still are. And really, isn’t that what rock and roll is all about?
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